Filmosophy

May 4th, 2008

So, I’ve had my facebook account for about a year and a half. One application I’ve gotten particular pleasure out of is Flixter’s, which allows you to rate / write reviews for pretty much any movie you could think of. I like keeping a log of what movies I’ve seen recently, what my initial thoughts were, which one became fast favorites, which ones I hated immediately, etc, etc.

I looked up the number of reviews I’ve made over the past year or so and I was rather floored.

Three hundred.

Three hundred reviews. Mind you, I haven’t seen all these movies over the past year, but still, the thought that I’ve seen that many (and probably a lot more) films over my lifetime is rather jarring.

The typical review is a sentence or two long, but occasionally I get carried away and give a film a much longer review than it deserves. Enjoy these:

ACROSS THE UNIVERSE”–FIVE STARS

“Okay, you know how some people wish their life was a musical?
Well, I wish my life was like THIS musical.
This was one the most well-made, thought-provoking, visually stunning movies I’ve ever seen. Not only was the vocal performance absolutely spot-on, every single movement in the movie seemed as though it was choreographed. The whole thing was like a painting that was constantly in flux. It was even Tim-Burton-esque in the visuals, and that is never a bad thing.
I’d totally give this thing six stars if I could. A-mazing.”

MY DATE WITH DREW–TWO AND A HALF STARS

“This man is the quintessential American dork: “swarthy” complexion, no job, and a totally “non-stalker” crush on Drew he’s had since he was ten years old.
The movie itself doesn’t bother me a heckuva lot, but the idea this guy’s wildest dream is to go on one date with Drew Barrymore is kind of pathetic. I mean, now that he has that out of the way, what is planning on doing with the rest of his life?
Maybe I’m reading too much into this.
It was cute.”

3 NINJAS KICK BACK–THREE STARS

“This series was a childhood staple, so I couldn’t possibly give it any less than three stars for sentimental reasons. Rocky, Colt, and Tum-Tum were household names, and I spent more than one afternoon practicing my “eyahs” in a vain effort to be as cool as this trio of ninjas.
My main dissappointment with this film was that Colt was the only one of the three ninjas to come back for a sequel. An indefinite ammount of time has passed since their last crazy adventure, and yet Tum-Tum looks about three years younger, Colt is exactly the same, and Rocky aged at least four years.
Not to say this film didn’t have its merits. I did thoroughly enjoy the not one, but three Japanese rap montages included in this film. Rocky gave enough moral-boosting speeches to shame even “The Goonies”, and there was enough nonstop ninja action for the whole family.
So, if you have kids, or you’re a kid at heart…see these movies as soon as you can. Run to Blockbuster. Now.”

Sixteen tons

April 15th, 2008

Well, until recently the song “Sixteen Tons” by Stevie Wonder would have described my work situation to a T (all right, so it’s a slight embellishment, but the reference still applies.) I don’t mind the work itself and most of my co-workers are really hard-working, generally pleasant people, but we’ve taken on a lot of new people that don’t know the job, and so it’s seemed lately that I’ve had to pull a lot more weight myself in a shift than years past. 

I take my job at Chick-Fil-A seriously, not because I think that selling chicken is what God put me on this earth to do, but because I need a job and even if the job itself is inconsequential, I still want to do it to the best of my ability.

Sometimes I feel like I maybe take my job too seriously–like a lot of other people I work with can relax and have goof off at work while I am unable to do so. It’s not that I don’t want to make friends at work or have a good time, and I still enjoy myself if I’m working hard or going that extra mile for the customer. It’s just that it’s hard for me to really relax on the job. I’m not being paid to relax. I’m being paid to work, and anytime I stop to chat when there’s work to be done it feels like I’m cheating the company somehow. 

I’ve been feeling increasingly frustrated with my job, but one good thing has come out of it all. Today when I went to pick up my W2, one of my managers pulled me aside and said that he and the owner had been talking, and that they wanted to give me a raise because they’ve “noticed my dedication” and see that I’m a “leader in the front counter.”

Which is pretty awesome, especially since this is my first real raise since I started working there about three years ago.  :)

So…yeah. Not a bad day!

Oooh, and I learned how to roundhouse kick in my aerobics class!

 So,  an extremely not bad day!

Cinema Serenada

April 13th, 2008

…because I’m sure that you’ve been dying to hear the the “Pirates of the Caribbean” theme AND “Linus and Lucy” in the same awesome video.

Sweeny…Swee-hee-hee-hee-heeny…

April 13th, 2008

Sweeney of the Opera, anyone?

Love Is All You Need

April 13th, 2008

“How on earth are you ever going to explain in terms of chemistry and physics so important a biological phenomenon as first love?”

–Albert Einstein

Freedom from Religion

April 9th, 2008

Although the weekend culminating to this essay’s creation was a bit stressful, the essay itself still kicked butt, so I wanted to share it with you all.   :)

 Freedom From Religion

By Kelsey White

 The “separation of church and state” has repeatedly been quoted as a constitutional right from the First Amendment. However, this quote is actually taken from a letter written by Thomas Jefferson to the Danbury Baptist Association in 1802 (Jefferson 1). Major advocates for religious restraint interpret this to mean that the government can have no link whatsoever with religion, be it in the classroom, a public monument, or any other service remotely connected with the state. Nonetheless, when one reads this oft-quoted letter in its entirety, it becomes clear that this was not Jefferson’s view.  He states: “Religion is a matter which lies solely between Man and his God…the legitimate powers of government reach actions only, and not opinions…The legislature should ‘make no law respecting an establishment of religion, or prohibiting the free exercise thereof,’ thus building a wall of separation between Church and State” (Jefferson 2). This quote certainly has no ties with the secular fire and brimstone one encounters with many anti-religion advocates. Jefferson posits merely that the government may not influence a man’s beliefs, for example, by requiring by law that every U. S. citizen practice and believe the teachings of Buddhism. Since the legislature should “make no law respecting an establishment of religion, or prohibiting the free exercise thereof,” it’s difficult to understand how the Supreme Court can rationalize outlawing any public monument that is “plainly religious in nature” (Stone v. Graham 1).  The case of Orden v. Perry confronts this argument in debating the constitutionality of a public statue displaying the Ten Commandments. Justice Rehnquist examines America’s religious history as well as the Constitution itself for his argument, while Justice Souter merely posits humanistic opinions.

Justice Rehnquist argued that the Establishment Clause of the First Amendment does allow the display of a monument inscribed with the Ten Commandments on the Texas State Capitol grounds. He presented the fact that the monument was donated by the Eagles, a “national, social, civic, and patriotic association” (Rehnquist 3), which also paid the cost of erecting the monument. Thomas Van Orden, once a licensed lawyer, encountered the statue during his countless walks to and from the law library in the Supreme Court building for six years and finally decided to sue the state and petition for the monument’s removal because he felt it violated the Establishment Clause. The District Court held that the statue “had a valid secular purpose in recognizing and commending the Eagles for their efforts to reduce juvenile delinquency” and thus did not violate the Establishment Clause (Rehnquist 5). The Court of Appeals agreed with the District Courts’ decision. It was only when this case was dragged into the Supreme Court that there was any real question of its constitutionality.

Rehnquist stated that this case “points in two directions, Janus-like” (Rehnquist 6), referencing the Roman god of doorways known for having two faces (Wikipedia). The first “face” looks back on America’s history, where Christian religion was not only “closely identified with our government” (Dist. Of Abington v. Schempp 212-213) but was in fact the “basis of freedom…the glue that held liberty and society, as a whole, together” (Whitehead 95).  Whitehead also points out, “All the states of the United States of America have expressed either in their preambles or the body of the state constitution itself dependence on God for their preservation and strength”  (Whitehead 96). The first words of the Mayflower Compact are “in the name of God, Amen.” The document posits that they are planting the first colony “by the Grace of God,” “for the Glory of God,” for the “Advancement of the Christian Faith,” and “in the Presence of God for our better Ordering and Preservation”. Likewise, the Fundamental Orders of Connecticut states that its people “enter into Combination and Confederation together, to maintain and pursue the liberty and purity of the gospel of our Lord Jesus which we now profess, and also the discipline of the Churches, which, according to the truth of the said gospel, is now practiced among us” (para. 1). Even the Declaration of Independence states, “All men are endowed, by their Creator, with certain unalienable rights…governments are instituted to ensure those rights” (para. 2). Clearly, religion cannot be separated from state since the state was founded for the glory of God and the advancement of the Christian faith. Granted, that was not the only purpose, but it still stands that labeling America a “secular state” is not only false; it’s a classic example of historical revisionism.

The second “face” to which Rehnquist refers to looks at governmental intervention in religious matters as a danger to religious freedom and that “reconciling these two faces requires that we neither abdicate our responsibility to maintain a division between church and state nor evince a hostility to religion by disabling the government from in some ways recognizing our religious heritage” (Rehnquist 6). Indeed, banning a statue representing the Ten Commandments because of its “plainly religious nature” would be like forming a museum respecting Holocaust survivors but omitting any Jewish symbols (Stone v. Graham. 1). Rehnquist goes on to say that acknowledgements of the role played by the Ten Commandments in America’s heritage are common (Rehnquist 12).  To prove his point, he points out seven other monuments prominently featuring the Ten Commandments in the courtroom itself.

In short, Rehnquist conceives that “the inclusion of the Ten Commandments monument in this group has a dual significance, partaking of both religion and government” and is therefore Constitutional (Rehnquist 13).

           The dissenting party, Justice Souter, argues, “Although the First Amendment’s Religion Clauses have not been read to mandate absolute governmental neutrality towards religion, the Establishment Clause requires neutrality as a general rule” (Souter 2). He further argues, “A governmental display of an obviously religious text cannot be squared with neutrality except in a setting that plausibly indicates that the statement is not placed in view with a predominant purpose on the part of government either to adopt the religious message or to urge its acceptance by others” (Souter 2).  Contrariwise, in Zorach v. Clauson, the justice found that “when a state encourages religious instruction or cooperates with religious authorities…it then respects the religious nature of our people…to hold that it may not would be to find in the Constitution a requirement that the government show a callous indifference to religious groups” (Zorach v. Clauson 313-314). This “callous indifference” seems to be the very quality Souter advocates, but this Justice seems to have mistaken government neutrality for government antagonism.

        Furthermore, in the above examples, almost all of the United States’ founding documents  are “obviously religious text.” One could presume that a government with such a foundation is in itself “obviously religious.”

        Souter further argues that “the statement of the Commandments, quoting God himself, proclaims that the will of the divine being is the source of obligation to obey the rules, including the facially secular ones,” and since “nothing in the context of the display detracts from the creche’s religious message…the government of Texas is telling everyone who sees the monument to live up to a moral code because God requires it” (Souter 3-4). Souter implies that the Ten Commandments are overtly religious because they advocate morality. In reality, any law related to morality has an innately religious nature. In fact, “law in the true sense is bibliocentric, concerned with justice in terms of the Creator’s revelation” (Whitehead 87). Alexis de Tocqueville observed, “In France I had seen the spirits of religion and of freedom almost always marching in opposite directions. In American I found them intimately linked together in joint reign over the same land” (Tocqueville 295). 

        The evidence is unquestionable. American law is, at its core, religious, so by Souter’s own standards, both the Constitution and the Declaration of Independence are “obviously religious text” (para. 2). Next he’ll declare the Constitution unconstitutional!

        Furthermore, Souter falsely contends that a government statue displaying the Ten Commandments is the equivalent of Texas telling everyone who sees it to convert. By the same merit, the state couldn’t justify a public display of Da Vinci’s David, or else risk creating a generation of antiestablishment streakers.

        Souter concedes that a display of the Commandments accompanied by an exposition of how they have influenced modern law would be most likely to be constitutionally unobjectionable (Souter 6). Would the passerbies really be unable to make the connection themselves? After all, the religious mandates such as “You shall not murder” and “You shall not steal” do bear some similarity with our constitutional laws. Even the more “spiritual” commandments such as “You shall have no other Gods before me” have secular merit. The Constitution specifically set up the government with checks and balances, to thwart any rulers with absolute power, i.e. tyrants, from taking control. Therefore, the Constitution essentially protected itself against a “false god,” or a man who completely ignores any higher law (Whitehead 78).

        Essentially, Rehnquist and Souter come to the same argument with different worldviews. Rehnquist posits that this Ten Commandments statue honors America’s innately religious history. Souter argues that it forces the Christian doctrine upon any unfortunate passerby. Souter’s argument is not only a direct contradiction of the First Amendment; it also makes the faulty assumption that people cannot think for themselves. A man whose philosophical identity is so flimsy that seeing a statue of the Ten Commandments immediately compels him to adopt the Christian doctrine is pathetic indeed; by the same token, one would wonder how he would deal with suggestive salesmen or even a brief television commercial. Perhaps the Supreme Court should take a page out of a very old book and allow men to “choose for yourselves this day whom you will serve, whether the gods your forefathers served beyond the River, or the gods of the Amorites, in whose land you are living. But as for me and my household, we will serve the Lord” (Josh. 24:15).

 

Works Cited

Janus (Mythology)”, Wikipedia: The Free Encyclopedia, April 6, 2008,

<http://en.wikipedia.org/wiki/Janus_(mythology)>

Whitehead, John W. The Second American Revolution. Charlottesville: Ruthorford Institute,

1982.

de Tocqueville, Alexis. Democracy in America. Trans. George Lawrence. Garden City:

Doubleday, 1975.

Jefferson, Thomas. “Jefferson’s Letter to the Danbury Baptists.” 1802.

Stone v. Graham, 449 U.S. 39 (1980)

Zorach v. Clauson, 343 U. S. 306 (1952).

District of Abington Township v. Schemmpp, 374 U.S. 203 (1963). 

Souter, J. Dissenting Opinion: Van Orden v. Perry, 545 U. S. 677 (2005)

Rehnquist, C.J. Opinion: Van Orden v. Perry, 545 U. S. 677 (2005)

The Holy Bible, Revised Standard Version. Philadelphia: Westminster, 1952.

Broadway Baby

April 1st, 2008

Sweeney of the Opera is still in the works. So, to entertain in the meantime, I whipped up another medly of some of my favorite Broadway songs in general. :)

Ebony and Ivory

March 27th, 2008

“There is something interesting about what Misters Wonder and McCartney stumbled upon here in their jaunty tribute to the piano. With a little imagination, the lyrics can also act as a metaphor for race.” –Stephen T. Colbert, “I Am America (And So Can You!)”

Moving onwarldly, I put together another medly of songs for those who are interested.

Mrs. Piano Man

March 23rd, 2008

I don’t tell everyone I meet that I play the piano. Although I thoroughly enjoy it, and I practice fairly regularly, it’s not really one of those talents I would point to and say “that’s what I can do better than anyone!” Not that many of my qualities would fall under that particular category, really, other than “being extremely quirky” and “grinding pepper.”

But I digress. This video is the first in several installments of my own piano meanderings.

A breath of fresh air

March 18th, 2008

I’ve been increasingly dissatisfied with the fare of most romantic movies/shows lately mainly because the characters don’t seem to typify real love. Classic example: Lost. With the exception of one very cool Korean, these characters don’t seem to have any real respect or care for their significant other, if the relationship even progresses that far.

I was ready to give up on television, and then I happened to catch the pilot episode of a little show called “Pushing Daisies.”

Rather than try to explain the charm of this show, I’ll borrow an article from Entertainment Weekly:

“Filled with mermaid divers and windmill farms, Pushing Daisies is a fantastically fantastical bubble-gum colored fable about a pie maker named Ned (Lee Pace) who magically brings his childhood love, Chuck (Anna Friel), back to life with his touch but will kill her if he ever makes contact again. Between solving oddball mysteries involving puppy cloning and scratch-’n’-sniff empires, Chuck and Ned banter and moon at each other, as Ned’s gruff detective buddy, wonderful Chi McBride undercuts any excess sweet. When so many TV couples are bickery brats, there’s something strangely mature about this chaste pair. It’s easy to whip up a juicy drama about evildoing bastards–it takes a boatload of creativity to make all this niceness so mesmerizing.”

I couldn’t have said it better myself.